About the LA Conducting Co-op

“Conducting students at conservatories and large music schools have access to orchestras because their peers provide cheap or unpaid labor as members of student ensembles. But outside of educational institutions, musicians rightly expect to be paid for their skills and time, so hiring an orchestra is massively expensive.

“That puts up a huge barrier in terms of what kind of people become conductors,” Sirota says. “It requires a significant outlay of money, and we were trying to figure out how to create opportunities that just didn’t cost so much.”

read more in the LA Times

Co-Founders